«Limita» concept evolution in song discourse
https://doi.org/10.51955/2312-1327-2025-1-145
Abstract
The article analyses the modifications of the concept «limita» in the context of song discourse. To solve this problem, the method of analysis of dictionary definitions and inductive frame allocation, discursive and stylistic analysis, conceptual analysis, description of cognitive metaphor, and contextual interpretation were used. The study reveals the expansion of the concept through several key frames, including social, economic, emotional, historical and «migration» ones. Considering the given concept from different points of view, the frame analysis reveals its social, economic, emotional, historical and migration aspects. The analysis of the concept «limita» serves as an example of how song discourse can reflect and shape social stereotypes. The study shows that song
discourse not only entertains, but also performs an important social function, contributing to the formation of public opinion and identity.
About the Authors
V. P. Novikova
K.G. Razumovsky Moscow State University of Technologies and Management (the First Cossack University)
Russian Federation
Russian Federation
Vera P. Novikova, candidate of Philological Sciences, Associate Professor
73, Zemlyanoy Val street, Moscow, 109004, Russia
Iu. P. Tkachuk
Higher School of Economics
Russian Federation
Russian Federation
Iuliia P. Tkachuk
20, Myasnitskaya str., Moscow, 101000 Russia
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Review
For citations:
Novikova V.P., Tkachuk I.P. «Limita» concept evolution in song discourse. Crede Experto: transport, society, education, language. 2025;(1):145-159. (In Russ.) https://doi.org/10.51955/2312-1327-2025-1-145
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