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“Soviet screen” magazine in the “perestroika” era

https://doi.org/10.51955/2312-1327_2024_2_189

Abstract

The authors based on content analysis (in the context of historical, socio-cultural and political situation, etc.) of the texts published in the "thaw" period of the "Soviet Screen" magazine (1986-1991). ), the authors concluded that the materials on the subject of Western cinema at this stage can be divided into the following genres: ideologized articles emphasizing criticism of bourgeois cinema and its harmful influence on the audience (1986-1987); articles on the history of Western cinema; biographies and creative portraits of Western actors and directors; interviews with Western filmmakers; reviews of Western films; articles on international film festivals and foreign film weeks in the USSR; reviews of the current repertoire of Western national cinemas.

About the Authors

A. V. Fedorov
Rostov State University of Economics
Russian Federation

Alexander V. Fedorov, Ph.D., professor

69, B. Sadovaya str., Rostov-on-Don, 344002



Anastasia Al. Levitskaya, Левицкая
Taganrog Institute of Managmement and Economics
Russian Federation

Anastasia Al. Levitskaya, Ph.D., professor

45, Petrovskaya street, Taganrog, 347900



References

1. Algunov Y., Orlov V. (1987). War paint of Hollywood, or Men's adventures in the American style. Soviet Screen. 9: 20-22.

2. Aristarco G. (1951). Storia delle teoriche del film. Torino: Einaudi, 1951. 296 p.

3. At the turning point. Soviet Screen. 1987. 1: 2.

4. Bazin A. (1971). What is Cinema? Berkeley: University of California Press, 1971. 214 p.

5. Casetti F. (1999). Theories of Cinema, 1945–1990. Austin: University of Texas Press, 1999. 368 p.

6. Defendant Eros, stand up!. Soviet Screen. 1989. 10: 15, 29.

7. Dementyev A. (1989). “Lonely” and us. Soviet Screen. 11: 28.

8. Demin V. (1966). Fil'm bez intrigi [Film without intrigue]. Мoscow, 1966. 220 p. (in Russian)

9. Demin V. (1987). No. 475. Recognition of a jury member. Soviet Screen. 17: 20-21.

10. Demin V. (1990). So, the price has risen. Let's explain. Soviet Screen. 16: 3.

11. Dmitriev V. (1987). Regarding “Angelica”. Soviet Screen. 9: 16-17.

12. Eco U. (1975). Trattato di semiotica generale. Milano: Bompiani, 1975. 512 p.

13. Eco U. (1976). A Theory of Semiotics. Bloomington: Indiana University Press, 1976. 354 p.

14. Eshpai V. (1989). Yuppies in the rhythm of adventure. Soviet Screen. 15: 28.

15. Geiko Yu. (1985). Why did Angelica come to us. Polemical notes about cinema. Komsomolskaya Pravda. 11.16.1985.

16. Gledhill C., Williams L. (2000). Reinventing Film Studies. Oxford: Arnold & Oxford University Press. 2000. 464 p.

17. Hess D. J. (1997). Science Studies. New York: New York University Press, 1997. 197 p.

18. Hill J., Gibson P. C. (1998). The Oxford Guide to Film Studies. Oxford: Oxford University Press, 1998. 624 p.

19. Ivanova Yu. (1998). We love detective. Soviet Screen. 15: 29.

20. Khloplyankina T. (1991). Love in the era of sex. Screen. 14: 6-7.

21. Kichin V. (1991). IFF: Agony? Norm?. Screen. 14: 4.

22. Kompanichenko G. (1987). “A good person is always needed.” Conversation with Milos Forman. Soviet Screen. 18: 21-22.

23. Kudryavtsev S. (1989). Video compass. Soviet screen. 17: 29.

24. Kukarkin A. V. (1985). Bourgeois mass culture. Theories. Ideas. Varieties. Samples. Technique. Business. M.: Politizdat, 1985. 399 p.

25. Lavrentyev S. (1989). Loser winner. Soviet Screen. 8: 8, 10.

26. Malyshev V. (1986). Anatomy of terror. Soviet Screen. 8: 19.

27. Mast G., Cohen M. (1985). Film Theory and Criticism: Introductory Readings. Oxford: Oxford University Press. 1985. 854 p.

28. Metz C. (1974). Language and cinema. The Hague: Mouton, 1974. 303 p.

29. Mikhalkovich V. (1989). Forward to the past... Soviet Screen. 17: 28.

30. Orlov D. (2011). Replica to the hall. Notes of an actor. Moscow: New elite, 2011. 520 p.

31. Plakhov A. (1986). The sadness of the “fading nature”. Soviet Screen. 20: 10-11.

32. Plakhov A. (1987). The miracle does not repeat itself. Soviet Screen. 22: 20-21.

33. Razlogov K. (1988). Short circuit of love. Soviet Screen. 17: 21-22.

34. Razlogov K. (1990). Is it worth straightening a crooked mirror. Soviet Screen. 11: 25.

35. Rubanova I. (1991). Fans of film fireworks are asked not to worry. Screen. 10: 7.

36. Savitsky N. (1986). “Big Screen” of Karlovy Vary. Soviet Screen. 22. 20-21.

37. Savitsky N. (1986). Date with the past. Soviet screen. 9: 9-10.

38. Shishkin N. (2020). Problems of the video boom in the magazine “Soviet Screen”. Mission of Confessions. 49(9.8): 925-931.

39. Simanovich G. (1989). One on one with the “Loner”. Soviet Screen. 11: 28.

40. Stam R. (2000). Film Theory: an Introduction. Malden, MA: Blackwell, 2000. 381 p.

41. Stishov M. (1989). “Another” laughter of Francis Weber. Soviet Screen. 16: 26-27.

42. Stishova E. (1990). Without a wall. Soviet Screen. 17: 27.

43. Sulkin O. (1986). Aggression of pseudoculture. Soviet Screen. 11: 22.

44. Sulkin O. (1988). Michael Dundee in America and at home. Soviet Screen. 12: 21-22.

45. Tirdatova E. (1991). Unexposed tapes. Screen. 10: 12.

46. To our readers. Soviet Screen. 1986. 18: 3.

47. Villarejo A. (2007). Film Studies: the Basics. London: Routledge. 2007. 171 p.

48. Vyatkin A. (1990). Bondiana. Soviet Screen. 4: 30-31.

49. Vyatkin A. (1990). In the world of star wars. Soviet Screen. 5: 28-29.


Review

For citations:


Fedorov A.V.,  A. “Soviet screen” magazine in the “perestroika” era. Crede Experto: transport, society, education, language. 2024;(2):189-200. (In Russ.) https://doi.org/10.51955/2312-1327_2024_2_189

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